Review: At USF, A well-acted ‘As You Like It’
As Oliver, Geoffrey Kent’s repentance seems so genuine that we never question it.
Review: Arvada Center’s “Waiting for Godot” packs a wallop
Here an emphasis on vaudevillian antics, including physical shtick reminiscent of the Marx brothers, offsets the difficulty of the philosophical exploration. Particularly in the first act, silliness eclipses the desperation and pointlessness. By the second act, when aching emptiness really kicks in, the darker, more disturbing tones take hold. -Joanne Ostrow, Denver Post
Review: Arvada’s Waiting for Godot Is Funny, Sad, Moving…and a Must-See
…very few share Geoffrey Kent’s mixture of intellectual curiosity and cheerful iconoclasm, his delight in fiddling with minute details while also introducing big bold moves … or his ability to sense the rhythm and poetry of a piece. -Juliet Wittman, WESTWORD
Review: Arvada Center’s ‘Waiting for Godot’ turns relentless angst, ennui, and cruelty into rollicking good fun
…Why did I laugh so hard, nearly all the way through? If it’s not masochism, it must be great theatre. Credit goes to Geoffrey Kent’s superb direction… -Patrick Dorn, patrickdorn.com
Review: ‘Bus Stop’ a beguiling and nostalgic drama of America’s heartland
As the peacekeeper, Kent is especially strong in the effortless way of men who have taken beatings in the past, won more fights than lost, and now have nothing to prove. If a body needs a nudge to get back on the straight and narrow or just grow up, he’s the man to step up and do what needs doing.
Feature: An Act of God has God Taking The Stage
“For 90 minutes I laughed continually. I wasn’t expecting to, but I certainly did.” -CBS4’s Critic at Large Greg Moody.