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As the peacekeeper, Kent is especially strong in the effortless way of men who have taken beatings in the past, won more fights than lost, and now have nothing to prove. If a body needs a nudge to get back on the straight and narrow or just grow up, he’s the man to step up and do what needs doing.
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“For 90 minutes I laughed continually. I wasn’t expecting to, but I certainly did.” -CBS4’s Critic at Large Greg Moody.
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Is the message that we’re better off without our gods? That a god-free universe might be less murderous, vicious and petty? I don’t think there’s a message at all. Just ninety minutes of sheer hilarity... [and] excellent pacing, courtesy of director Geoffrey Kent.
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Doug’s got a pretty light touch, so it still sounds like Shakespeare. We’re not saying, ‘Yo, dude!’ or anything,” Kent says. “I really think the goal is to create scripts that are a little less legwork for the actor and a little more accessible to the modern ear.
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Twenty years after his arrival at the Denver Center, Geoff Kent is as busy as any kid ever was trying to break into the business. In short, he continues to practice pretty much every theatre discipline he ever learned - at the same time.
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Kent’s production of the play... asked an important question about the role of women on stage and forced the audience to answer a question pertinent to our current cultural milieu—can women be funny—with a resounding, “Yes!”
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As the villainous Iachimo, Kent could have easily gone the Iago route, playing the character as a straightforward baddie. Instead, Kent infuses Iachimo with comedy and no small amount of heart, a touch that brings the heart of the show to the fore.
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Geoffrey Kent directed the play, and Lindsey Kyler stars in it as Dromia of Syracuse. They spoke with Colorado Matters host Ryan Warner.
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Geoffrey Kent, who also choreographed the fights, embodies interesting contradictions in this role: You sense the powerful fighter beneath the louche, sloppy appearance that Achilles first presents; later, you sympathize with his genuine agony at the death of Patroclus — it feels deeper than anything you’ve seen from Troilus or Cressida — and then within minutes you’re despising him for his sleazy tactics.
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Kent has great fun with Achilles... His charm and confidence warm the audience immediately, setting them up for chills later when less heroic and more vicious choices begin to be made.