Opened three plays in as many days for the Utah Shakespeare Festival’s 2017 season.
News about Geoffrey’s fight directing.
Twenty years after his arrival at the Denver Center, Geoff Kent is as busy as any kid ever was trying to break into the business. In short, he continues to practice pretty much every theatre discipline he ever learned – at the same time.
As the villainous Iachimo, Kent could have easily gone the Iago route, playing the character as a straightforward baddie. Instead, Kent infuses Iachimo with comedy and no small amount of heart, a touch that brings the heart of the show to the fore.
Geoffrey Kent, who also choreographed the fights, embodies interesting contradictions in this role: You sense the powerful fighter beneath the louche, sloppy appearance that Achilles first presents; later, you sympathize with his genuine agony at the death of Patroclus — it feels deeper than anything you’ve seen from Troilus or Cressida — and then within minutes you’re despising him for his sleazy tactics.
Kent has great fun with Achilles… His charm and confidence warm the audience immediately, setting them up for chills later when less heroic and more vicious choices begin to be made.
“She Kills Monsters” is a brilliant collaborative effort, and the ultimate date night for gamer couples — or gamers whose partners want a better grasp of the obsession.
Collins already has committed to three longtime Denver Center favorites: Geoffrey Kent, Sam Gregory and Josh Robinson, as well as Creede Repertory Theatre’s Emily Van Fleet.
…a shoutout for the brilliantly kinetic wrestling match between Jones and William Oliver Watkins’s Charles, staged by fight master Geoffrey Kent…
As the arrogant and blustering French Doctor Caius, Geoffrey Kent is a comedic highlight, delivering lines in an overstated accent worthy of Monty Python and drawing on his full range of skills as CSF’s resident fight coordinator during a duel featuring golf clubs and a bible.
Shakes patrons know the earnest side of Kent — as Lucius in “Titus Andronicus” and Mercutio in “Romeo and Juliet” — so it’s a treat to see how funny he can be. Kent’s Petruchio seems more bemused than angry at his hellion of a bride, which makes Gibson’s growling and stomping and pummeling even funnier.