Best Theatre Production: Midsummer

Bottom returns unscathed and wiser to his cast :: Colorado Shakespeare Festival :: Costumes by Clare Henkel :: Photo by Zachary Andrews

BEST THEATER PRODUCTION

A Midsummer Night’s Dream

​The Colorado Shakespeare Festival is in transition and its last season was uneven — but Geoffrey Kent’s A Midsummer Night’s Dream ransomed the summer. Set in the fizzy, elegant era of Downton Abbey, it provided one of the funniest, liveliest and most joyous evenings around. The show was both welcoming to Shakespeare newcomers and a delight for experts, and it boasted a zillion crazed comic bits that somehow never detracted from the play’s magic and poetry. There were a slew of memorable performances, too, including a Bottom whose improvisations had the audience howling; a lazy, slow-moving Puck; a quartet of delicious young lovers; and a fairy king and queen as dopey as they were majestic.

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Geoffrey Kent appears like a walking ghost, embodying the role of Annie’s brother.  This part is a real breakthrough for Kent, who’s made a whole career of playing confident, sunny, swash-buckling characters.  Georgie is a sad and simple storm-cloud of a man, portrayed by Kent with substance and honesty.

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